Certification
We have Certificate and Diploma Courses in Audio & Sound Engineering for 6/12 months with 100% Placement Assistance & Internship Option. Our courses are Flexible & Customized, Regular Weekdays & weekends, and Full-Time / Part-Time Batches are available. We have a Rolling Admission Policy for the benefit of students. Admissions for current batches have started from 05th April 2025. Live Classes & Practicals will begin from 14th June 2025. Hurry Up Limited Seats, registration will be on a first-come, first-served basis, with 24 Students in One Batch Only. (18 Seats are Available for National Students & 6 Seats for International Students Only) Confirm your seat before 25th May 2025.
Course Featured
- 3 Hours Theory Classes
- Practical Classes 8 Hours
- 5 Sessions a Week
- Film Screening
- Studio Practical
- Film Appreciation
- Hands-on Practical
- Visiting Film Studios
- 240 Class Rooms Sessions - 1000 Hours Classes - Divided into 400 Hours Theory & Screening with 600 Hours Practical Classes & Film shooting.
- During the Course Student will have to make 8-10 Films ie One Shot Film, Three Shot Film, 7 Shot Film, 1 Ad- Film, 3 Short Films ( Duration 2- 5 Min), 1 Music Video, 1 Documentary Film ( Duration 2-10 Min) & 1 Diploma Film ( Duration 2-10 Min)
Enquire Now
Register Online For 2025 - 26
Course Content
- The Decibel
- The Human Ear / Sound Levels
- Acoustic Power Measurements
- Electrical Measurements
- DBm, DBv, DBu Measurement
- Basic Electronics
- Connections / Transmission Data
- Masters / Slaves
- Programme Channels
- MIDI Modes, MIDI Messages
- Computers And MIDI
- MIDI In Live Performance
- MIDI In The Recording Studio
- Implementation Charts
- Sound and Vibration
- Wavelength/ Hertz
- Phase
- Headroom
- Gain structure
- Frequency ranges
- Frequency response
- Fletcher Munson contours
- dBA.dBB.dBC
- Cables And Connectors
- Transmission Formats
- S/PDIF / AES/EBU / Fibre Optics
- Condenser Microphones
- Dynamic Microphones
- Electret Microphones
- Ribbon Microphones
- Directional Characteristics
- Polar Patterns
- Dual Diaphragm / Dual Pattern
- Measuring Polar Response
- Proximity Effect
- Impedance / DI Boxes
- Wind Noises
- Phantom Power
- Microphone Technique
- Close & Distant
- Binaural / Stereo Sonic
- X-Y / M-S / A-B Stereo Recording
- Phase Cancellation & Reinforcement
- Common Mic Techniques
- Makes Of Microphones
- Modes / Standing Waves
- Resonant Frequencies
- Psychoacoustics
- Acoustic Phase Distortion
- Isolation, Reflection, Absorption
- Absorption Co-efficient
- High / Low Freq Absorption
- Bass traps / Poly Absorption
- Tuning Rooms / Isolation Control
- Sound Transmission Class
- Floating Floors
- Building Home And Pro Studios
- Modern Recording Studio Consoles
- 8-Buss Consoles / Floating Buss
- In Line
- Patch Bay
- Input Section
- Monitor Section / Sub-Master Section
- Assignment Section
- Auxiliary Section
- Signal Path
- Talk Back / Communications
- Master Section
- The mastering studio
- Master equalisation, compression
- Monitors
- Level balance
- Media considerations
- Signal processing
- Common mixing problems
- Crossfades
- Basic Tracks / Overdubbing / Bouncing
- Playback Mode / Record Mode
- Track Assignment
- Cue / Headphones
- Recording Levels
- Post Tape Monitoring
- Mixdown / Mastering
- System Configuration
- Preferences
- Advanced Session Layout
- Advanced View Configuration
- Advanced Workflow Procedure
- System Optimisation
- Workspace Browser
- Modern Recording Studio Consoles
- Low / Mid / High Frequency EQ
- Phase Shift
- Filters: Notch, Band Pass, High Pass, Low Pass
- EQ – Parametric
- Sweep
- ShelfGraphic EQ
- Active & Passive Equalisation
- EQ Effect On Level & Dynamic range
- EQ Techniques & Aapplication
- Advanced MIDI Techniques
- MIDI Production With Virtual Instruments
- MIDI Production With Outboard
- Advanced Rewire Techniques
- Sampling With Software Samplers
- Elastic Timing
- Beat Detective
- Compression
- Threshold
- Ratios
- Pumping & Breathing
- Attack & Release
- Special Effects
- Voice-over Compression & Dducking
- De-esser / Expander / Limiter
- Noise Gates, Gating Technique
- Using Compressors
- Advanced Recording Techniques
- Music Mixing & Mastering
- Advanced Mixing & Editing
- Techniques
- Mixing With I/O
- Advanced Routing
- Advanced Fade Techniques
- Combining Plug-ins & Outboard
- Effects
- Advanced Automation Techniques
- Advanced Group Techniques
- Working With Playlists
- Reverb Time (RT60)
- Echo & Delay
- Digital Delay
- Diffusion
- High Frequency Damping
- Pre-Delay
- Convolution Reverb
- Doubling
- Reverb Plate / Spring / Chamber
- Digital Reverb / Diffusion / Pre-delay
- Multi Quicktime Video Operation
- Advanced Dialogue Editing
- Advanced Sound Design
- Working With DigiTranslator
- Working With Short cuts
- Session Interchange
- File Interchange With Other DAW Software
- Harmonisers / Aural Exciters
- Flanging / Phasing / Chorus
- Samplers
- Modulation
- Pitch Shifter
- Dynamic Voicing
- Hardware Selection
- Plug-in Selection
- System Compatibility
- DigiDelivery
- Digidesign Control Surface Integration
- Fault Finding Procedures
- Compensating For Latency
- Navigation Of Digidesign’s Website
- Grade 1 Music Theory
- Chords And Keys
- Music Notation
- Slurs And Ties
- Tempo
- Key Signatures
- Types of media and technologies
- Creating surround sound
- Mapping channels to speaker
- Configuration
- Low frequency effects
- Mixing Foley/SFX
- Mixing background with voice
- Dolby encoding and decoding
- Systems Overview
- HD/Mbox
- Mix Window
- Edit Window
- Time Line
- Regions
- Grabber / Trim / Select Tools
- Routing
- Inserts/Sends
- RTAS Plug-ins / Audio Suite
- Slip / Grid / Shuffle / Spot Modes
- Instrument Tracks
- Rewire
- Non Destructive Editing
- Importing Media
- Record & Playback
- MIDI In Pro Tools
- Using Markers
- Nudging Regions
- Bounce To Disc
- Location Recording/Sync Sound (Film Production Process)
- Synchronization of Audio with Video
- Playback Exercise Shooting
- History & Development of Cinema Sound
- Introduction to World Cinema
- Film Post-Production Process
- ADR & Vocal Recording Techniques
- BGM Techniques
- Sound Effects & Foley Techniques
- Sound Design, Composition
- Film Re-recording/Mixing
- Film Projection
- Audio Installation (Professional/Project/Home Studio)
- Film Soundtrack Analysis & Appreciation
- Surround Sound
- Immersive Audio
- Professionalism & Studio Management
- Study Tour, Studio Visits
- Hands-on Practice
Career Opportunities
Students get Opportunity to work as a Sound Engineer, Music Composer, Music Director & Sound Recordist for Films, Tv Serieals, Webseries & Production House.
