SYLLABUS FOR ACTING COURSE

• What is acting?
• Origin of Acting
• Who is an Actor?
• Definition of Acting
• Neutralization of Body & Mind
• Tools of an Actor: Mind, Body,
• Movement, Yoga
• Martial arts
• Key Sources for an Actor
• Text & Subtext
• Observation
• Research
• Imagination
• Fantasy
• Voice, Timbre, Volume, Pitch
• Resonators
• Vocal Exercises
• Speech
• Diction
• Intonation
• Language
• Action,
• Fights
• Stunt
• Accent
• Rhythm / Tempo

Advance Course

• Analysis of script
• Marking of Script
• Use of Costumes, Properties & Make Up
• Focus: Outer, Inner, Double, Switch over
• Time & Space
• Physical, Mental
• Status & Status Games
• Realistic Acting: Some Basic Elements
• Relationship with Co-Artist
• Want, Urgency, Play the Situation
• Improvisation & Its Importance

Professional Course

• Third Eye of an Actor
• Introduction to some Acting Theories
• Natyashashtra, Stanislavasky, Brescht, Grotovasky, Arastoo
• Alexander Technique
• Individual Process of an Actor for Characterization
• Outer to Inner, Inner to Outer
• Scene Work
• Evaluation & Problems of Students in Performance
• Difference between Actor & Performer
• Fights Stunts & Horse riding training
• Facing the Camera & Lights
• Shooting a Demo Show reel
• Different Phases of an Actor’s Life

DANCE & AEROBICS

Western, Latin & Indian Traditional Dances along with Aerobics Salsa, Hip Hop, Meringue, Filmy, Disco Dandia, Garba, Folk, and customized dances especially choreographed for school, college, stage shows & TV Shows. Aerobics for the health & beauty conscious. Customized & Flexible batches for Professionals.

VOICE MODULATION & DIALOGUE DELIVERY

Voice is God Gifted, yes it true and fact, but it can be trained, this also a fact. Nobody is a born singer or narrator or voice artiste, yes he/she may have a sweet, melodious voice by birth but still his/her voice needs to be trained enough to modulate, variate and able to perform professionally for required time. I am here to tell you about tips on how to improve your voice ( for voicing, dubbing, mimicry) so that you are able to have more base, uncharred, rhythmatic voice and have some control over your throat to produce variation and modulation in your voice as and when necessary. Whatever you want to become in voicing arena, be it voice over artiste, dunning artist, mimicry artiste, performing actor, you need to modulate your voice according to the mood of the script. This is the first requirement of being a professional voice artiste.